HomeWriting30 Days to Regularity*Sausage Making Warning #1*

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*Sausage Making Warning #1* — 9 Comments

  1. I made it. And why? It was interesting, unexpected, non-linear, and fun.

    Amen to you.

    And I don’t just say that to say that. It usually takes me a paragraph to know if something I am reading is zippy, or stale. I don’t know what you think of it, but I wanted to read on…

  2. If I didn’t know better I’d say you were schizophrenic! I stuck it out initially because you’re my friend; skimmed past some of the lyrics so they wouldn’t stick in my head, giggled at the whirled peas. I’ve whirled many peas in my day, and the kid still won’t eat them. You caught my attention at the road less traveled. I’m not entirely sure that the traditional path is there anymore; so many people jumped off it that it seems to be grown over. I worked at a Chain Leather Store for almost three years, and until we got a new manager three months before I left I was the only white married woman with kids born in wedlock, both of whom had the same father (my husband). That’s when I noticed the weeds growing in the cracks of the traditional road. Not that I’m Donna Reed, of course, but there was something to be said for heels and pearls. The roles were clearly defined if nothing else.

    How’s that for organic? Yeah free association! (We play that as a game in the car when we get tired of Fezzik’s Rhyme-a-thon.)

  3. Whirled peas for the elderly, for those whose paths have been. The most difficult thing is to change on the inside without changing on the outside. The masters’ Masters eschewed the mountains and those-who-eschewed-the-purple-finery;but how to find the myth that fills the moments with meaning? Our paths are metaphors, and in Greece I use metaphors to carry my baggage to Mycenae—the male part of that rhizome that grew into this age and me. But what will the carcass of these words feed, a thousand years from now? We help trample the grass on paths barely seen, and won day this’ll be the common road, a Highway in Cognia.

    But the myth? I keep coming back to it. Or trying to. Moving towards it, somewhere in the distance, behind me, in my future—that damnable blind spot. Frickin’ engineers, this vehicle isn’t safe. How are we expected to operate under these conditions? My license revoked, and so, to the third world I head. Practice makes perfect. But the disk is dirty, the magnets can’t align, bits of bytes bitten and chewed by that bastard, Time.

    Oh, but Time, I love you; father of my life and mother of my death. Or was it the other way around? Will it be the other way around?

  4. I’m a compulsive word rearranger, so, I apologize for the increase in entropy, but here’s a revised version of what happened when I was a conduit of your words. Just another moment in that infinite transformation, the Tao. The first was free-association, the second is reflected-upon free-association–a fine example of living paradox, balance maintained ‘twixt right and left, reflex and intention, subconscious and conscious, past and future.

    I woulda deleted the first if I coulda, but I can’t, so maybe you’ll want to. Or it’s psarcheology for the cognitive archeologists.

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    Whirled peas for the elderly, those whose paths are passed. It’s most difficult to change inside without changing outside. The masters’ Masters eschewed the mountains and those-who-eschewed-the-purple-finery; but how to find the myth that fills the moments with meaning? Our paths are metaphors and in Greece I use them to carry my baggage to Mycenae—the male half of that tripartite rhizome that grew into this age and me. But what will the carcass of these words be home to, a thousand years from now? Or tomorrow? We trample the grass of paths barely seen, hardly hidden, rarely traversed, and won day this’ll be a common road, another Highway in Cognia.

    But the myth? I keep coming back to it. Or trying to. Moving towards it, somewhere in the distance, behind me, in my future—that damnable blind spot. Frickin’ engineers, this vehicle’s not safe. How can I be expected to operate on this machinery? License revoked, and so, to the third world I head. Practice makes perfect, maybe I’ll be back. But the disk is corrupted, magnets aren’t aligning, bits of bytes being bitten and chewed by that bastard, Time.

    Oh, but Time, I love you. Father of my life and mother of my death. Or was it the other way around? Maybe it will be.

  5. Muahaha. Now I’m simply perverse. Like Mann said in the Magic Mountain, I’ve already failed this grade-level and can relax as I no longer need to worry about meeting any expectations of propriety.

    By the way, I work overnight at a hotel and it is always very slow, so I have nothing to do but polish (or scratch) the surface of my words.

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    Whirled peas for the elderly, whose paths are passed. It’s most difficult to change within while not changing without. The masters’ Masters eschew the mountains and those-who-eschew-the-purple-finery; but how to find a myth that fills my moments with meaning? Our paths are metaphors and I use them to transport my baggage to Mycenae—-a male stem of that primordial rhizome that grew into today. But what will the carcass of these words be home to tomorrow? Or a thousand years from now, when meanings have shifted and people communicate through quantum pHLucK-Sho3-aY-shUnS? We continue to trample the grasses of paths hardly hidden, barely heeded, rarely traversed, and won day this’ll be a common road, another Highway in Cognia.

    But the myth? I keep coming back to it. Or trying to. Moving towards it, somewhere in the distance, behind me, in my future—-that damnable blind spot. Frickin’ engineers, this vehicle’s not safe. How can I be expected to operate on this machinery? Licensed revoked, so now I practice in the third world—-maybe I’ll return. Popper’s wary that the disk’s corrupted and the magnets aren’t aligning, that bits of bytes are being bitten and chewed by that bastard, Time.

    Oh, but Time, I love you. Father of my life and mother of my death. Or was it the other way around? Maybe it will be.

  6. Ah, hell. Change is 4-dimensional and the best way we have to see a minute organic process is to use freshly broken glass to slice away the thinnest sliver–then the next–then the next–to examine under the electron microscope. But this is the last. I’m free to leave my post in an hour and I actually do have a few work related things to take care of.

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    Whirled peas for the elderly, final meal on their tooth littered path. Quite difficult to change within while not changing without. The masters’ breatharian Masters eschew the mountains and those-who-eschew-purple-finery; but how to find a myth that fills my moments with meaning? Our paths are metaphors and I use them to transport my baggage to Mycenae and beyond—a male shoot of that primordial rhizome that grew into today. But what will the carcass of these words house tomorrow? Or a thousand years from now, when meanings have shifted and people communicate through quantum pH-LucK-Sho3-aY-shUnS? (Don’t shun me, I was unlucky, the acid ate away the souls of my shoes, eh?) You and I, we trample the grasses of paths hardly hidden, barely heeded, rarely traversed, so won day this’ll be a common road, another Highway in Cognia.

    But the myth? I keep returning, Nietzche’s disciple, moving forward, to the distant horizon, behind me, to my future—that damnable blind spot. Frickin’ engineers, this vehicle’s not safe. How can I be expected to operate? Licensed; revoked; now I practice in the third world. Popper’s wary uv’a corrupted disk, misaligned magnets: bits of bytes being bitten and chewed then spewed by that bastard, Time.

    Oh, but Time, I love you. You know that. Father of my birth:Mother of my death. Or was it the other way around? Maybe someday it will be.

  7. Grinding is more like it 🙂 Which brings to mind a flurry of unsavory images, most of which I’ll keep to myself. There is one I want to share, however… I’m thinking of Pink Floyd’s The Wall on DVD (or enter preferred medium here _________) where kids are on conveyor belts that represent the school system. They are conveyed to a large funnel, dropped inside, and ground up, and forced through a bunch of little pinholes to create that wonderful speghetti noodle effect we all adore in our ground beef. At least I do!

    Umm…